Response to Course Materials 2

This month, we delved further into the world of Edward Albee's The American Dream. Our class came up with the "boss theme". That theme was "An increased emphasis on consumerism and greed creates a diseased American Dream that will turn around and destroy its creators." The conclusion came from Edward Albee saying himself that the Young Man was there to kill Mommy and Daddy. Albee's revelation is the basis of our conclusion. The Young Man is a production of the new American dream. Since he is there to kill the Mommy and Daddy, he is there because of the new dream that people like Mommy and Daddy created.

Later, we read Nuts and Bolts of College Writing. I enjoyed this book. It taught me some ways to improve my writing, which I have been trying to incorporate in my writing, not just in lit, but in my writing for the newspaper and my college essays.

How to Read Literature like a Professor was a disappointment. I thought that I would have learned new ideas and how to apply them to my analysis of literature, movies and games. I knew most of the things in the book, like the communion and weather. Also, the way I interpreted a lot of the chapters was, it is always 100 per cent the case except for when it is not (excluding the sex chapter). I enjoy coming up with my own ideas and connections rather than having them presented to me. However, I do enjoy the discussions provided by the slides Ms. Holmes puts on the board.

I still have not made up my mind about how I feel about Death of a Salesman. For me, it's a lot like The Great Gatsby. I felt as though I did not get a good understanding of anything. I completely missed the green light, considered the largest symbol in the entire book. It did not make sense to me. Death of a Salesman is kind of the same. However, I am not completely lost. I got some things, but missed key points like the $20,000 while watching the movie. 

We got introduced to the format of the AP exam, like how the multiple choice and essays work. The multiple choice section sounds tough, but the essays were easier than expected. The format is a lot like the AP World History format, three essays to write in 2 hours. Our class got to write a practice essay. Unlike in AP World, we learned how to write before were graded on an essay. This essay is greatly appreciated. I was partnered with Zeke for the essay corrections. Zeke, along with my own corrections with the help of Nuts and Bolts of College Writing helped turn my horrendous practice essay into something decent. I still have a ton of progress to make, but I feel much better about the AP Exam writing portion.

Summary and Analysis of The American Dream

Edward Albee's The American Dream presents viewer with an absurd, twisted and cynical view of what the American Dream. The American Dream not only presents a reimagined American Dream (Mommy), but also contrasts it with the old American Dream (Grandma). Albee even goes as far as to say that this new American Dream, fueled by greed and consumerism, will ultimately kill you.

The American Dream starts out in a living room with the married couple Mommy and Daddy, along with Mommy's mother Grandma. Mommy tells Daddy about her trip to the store to get a hat, a beige hat to be exact. Mommy then flips out when the president of her women's club tells her that she bought a wheat hat. This causes Mommy to storm back into the store and demand a new hat. Grandma enters with loads of boxes. With the boxes to spark her memory, Mommy reminisces about how Grandma would pack her lunches in neatly wrapped boxes. The neatly wrapped boxes looked too nice to unwrap, so she didn't. Mommy was content in receiving food from children who felt bad for her. Viewers then find out that Mommy only married Daddy for his money. The doorbell soon rings and Grandma shouts about how the van people have finally come to take her away. Mrs. Barker comes in instead of the van people. Mommy asks her if she would like to remove her dress. Daddy then says, "I just blushed and giggled and got sticky wet" (Albee 79). This is due to Daddy being forced into a sex change by Mommy. Then, Mommy threatens to have Grandma taken away. She tells Daddy to go smash Grandma's TV. Mrs. Barker then asks Grandma about the nature of her visit. Grandma tells Mrs. Barker a hint about her visit. She tells her that a man, very much like Daddy, and a woman, very much like Mommy, contacted Bye-Bye Adoption Services about getting a "bumble". They adopt the bumble, but the bumble only had eyes for Daddy, so Mommy proceeded to mutilate it. The bumble was killed and the family called the Bye-Bye Adoption Service to get their money back. Mrs. Barker goes to get her water from Mommy when then the doorbell rings again. It's the Young Man. Grandma talks to him and comments on his physical appearance. She then christens him the American Dream. The Young Man says that he came for work and that he'll do anything for money. Grandma takes him up on that offer. Mrs. Barker come back and see the Young Man. Grandma says that he is the van man. She and the Young Man leave with the boxes. Mommy and Daddy enter and find out that the van man took Grandma. Mommy becomes distraught saying that the van man was fake. Grandma breaks the fourth wall while watching the family adopt the Young Man as one of their own. She says that she'll leave now while everyone is happy.

Mommy and Grandma are foils. Mommy represents the new American dream, while Grandma represents the old American dream. The new American dream is fueled by greed and consumerism while the old American dream is more of the old "pulling yourself up by your bootstraps". For instance, Mommy complaining about her beige hat to the store clerk shows that she only cares about what others think of her. If the president of her woman's club hadn't come along, then she would have been perfectly content without the president's input. Mommy and Grandma's separate views of the boxes also plays a role in the separate American dreams. Mommy only cared about the outside of the boxes so she wouldn't eat the lunches. Grandma would eat the food. Grandma cared about what was on the inside.

The Young Man is what the new American Dream created by Mommy and Daddy's generation. The Young Man is the brother of the bumble. Grandma naming him the American Dream is important. He was raised in a society that only cares about the superficial aspects of life. This is why Mommy and Daddy killed the bumble. The Young Man now will do anything for money. Grandma is paying him to kill Mommy and Daddy so it comes full circle.

Power is also important to the play. One of the main characters, Daddy, loses his masculinity due to Mommy's desire for power. Mommy also wants to be the center of attention. She constantly makes sure that Daddy is paying attention to her. This also happens with her run-in with the president of her woman's club. She appeases people of a higher status. She is trying to climb the social ladder to quench her thirst for control and power. 

Do You Like Hurting Other People?: Close Reading 2

Edge Staff: Hotline Miami Review

Many games today are oriented towards violence such as the game being reviewed, Hotline Miami. The staff of Edge Magazine asks a great and prevalent question: "do you like hurting other people?". Games are not the only media to fall in this category. A Clockwork Orange uses violence in its story (Kubrick and Burgess' versions) to showcase its themes. Violence and love are contrasted in Romeo and Juliet. The Edge Staff go as far as to say that the link between violence and entertainment is the central theme of the game. The Edge Staff asks this question with the use of clever diction, an insight, through details and images, into the violence of Hotline Miami and connections with other video games.

The review of Hotline Miami uses a clever diction to get its question across to the reader. The Edge Staff uses the word "masocore" a term referring to a genre of video games design to frustrate users with difficult objectives and various trial and error scenarios. Masocore is a combination of masochist and hardcore. Players derive pleasure from the arduous objectives and the hardcore aspects of some of the killing. Describing the game as thus drives home the point of this brutal, 2-D slaughter-fest where players are meant to enjoy massacring their fellow humans. The Edge Staff also uses filleting, a word usually reserved to the killing of animals or in reference to a juicy steak. Filleting shows how little human life matters to the players and main character of Hotline Miami. With words like this, readers can clearly understand if they enjoy hurting other people. 

Violence is a centerpiece of the gameplay in Hotline Miami. Killing in Hotline Miami is very methodical. According to the Edge Staff, "Most violent games are about chewing through an endless bus queue of enemies" whereas in Hotline Miami, it is simplified into three sections: "waiting, killing, and dying when you get it wrong". They even talk about how one kills. "Death may come by katana, by wrench, or by door, but it always comes in a sweaty blur," the Edge Staff said. Not only do they describe the means of death, they describe how it is done: in a frantic manner. When reevaluating the question of "do you like hurting other people?" it is crucial to know why. Why is important because killing is presented in a different way in comparison to other games with high bodycounts. These details gives readers a look into the horrific masterpiece known as Hotline Miami. 

Lastly, the Edge Staff compares violence in Hotline Miami to violence in other games. They talk about the rhythm of the game, primarily the instant restarts after death. Super Meat Boy, another game in the masocore genre, is referenced comparing it to Hotline Miami in regard to its "instadeath" mechanic. Instead of a combo based shooter, Hotline Miami turns into a grisly, methodical twitch shooter. The Edge Staff even goes as far to call it "a glorious sandbox of gore". The Edge Staff goes even compares it to Rockstar Games' infamous Manhunt, saying that Hotline Miami "will sicken you even as it provides its murky thrills" just like in Manhunt. 

In today's society, violence is everywhere, from children's cartoons, the silver screen and even the literature we read. The Edge Staff uses these ideas of thematic violence to ask the question "do we like hurting other people?" through the use of apt diction, giving readers a first hand account into the violence of Hotline Miami, and with connections to other games with similar themes and motifs.